Share the Conference
Thanks to our Co-Chairs, Stacey and Rachel; the conference committee; the hard-working volunteers; the AATE Staff and Board; and Sojourn Theatre for an amazing conference.
If you have pictures from the conference, especially the Keynote Performance, please remember to share them through the Flickr Group: AATE 2010 San Francisco
See you in Chicago for 2011!
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Paid Workshops
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Preconference: Building Bridges - LGBTQQ Youth Theatre |
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This pre-conference workshop is for anyone interested in full inclusion of lesbian, gay, bisexual, transgender, queer and questioning (LGBTQQ) youth and their allies in their theater program, as well as those interested in theater literature written specifically by and about LGBTQQ youth. Enjoy a day of workshops, discussions and performances by theater professionals and children who are committed to exploring LGBTQQ issues through art. Co-presented by Emily Klion, Director of the Marsh Youth Theater (MYT), the youth education program of The Marsh, a breeding ground for new performance. MYT provides high quality theater arts education and original theater production opportunities to San Francisco youth interested in pursuing creative growth, regardless of financial differences and past experience. and Andrew Nance, Conservatory Director of New Conservatory Theatre center. The mission of New Conservatory Theatre center is to champion innovative, high-quality theater experiences for youth, adults and artists to effect personal and societal growth, enlightenment, and change. NCTC provides theater training to empower youth and adults to express themselves, celebrate differences and gain confidence and self-esteem.
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Time
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Activity
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| 8:30am-9:00am |
Breakfast served |
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9:00am-9:45am
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Creating Cultural Competency
Presented by: Emily Klion of The Marsh Theatre and Andrew Nance of New Conservatory Theatre Center
What are the words we use to describe LGBTQQ issues? How can we as teachers create an inclusive environment through language and curriculum?
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9:55am-11:30am
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LGBTQQ Youth Theater Workshop –
Presented by: The Theatre Offensive, Boston, MA. Evelyn Francis, Director of Education at The Theater Offensive, is lead teacher/director of True Colors: Out Youth Theater. True Colors was designated the 2008 Social Innovator for Empowering Youth through the Arts by the Social Innovation Forum.
This interactive workshop will give participants a basic overview of the theater techniques used by True Colors: Out Youth Theater, a Boston-based touring theater program for lesbian, gay, bisexual, transgender, queer and questioning (LGBTQQ) youth and their straight allies, ages 14-22. Building on the idea that the personal is political, participants will learn to use check-ins, writing prompts, theater exercises, and group discussion to explore the personal stories of LGBTQQ youth and how they can inspire constructive community dialogue.
THE THEATER OFFENSIVE'S MISSION: To form and present the diverse realities of queer lives in art so bold it breaks through personal isolation and political orthodoxy to help build an honest, progressive community.
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11:30am-11:45am
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Coffee Break
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11:45am-12:30pm
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Prop 8 Love Stories Performance
Presented by: Cinnabar Theatre's Young Rep Social Theatre Project aka Walking Elephant Theatre of Petaluma, CA. Created and Directed by Brian Glenn Bryson.
Walking Elephant Theatre creates original theater about "the elephant in the room." Actors 10 - 17 years old interviewed eight couples (3 mixed gender, 5 same gender) about Love, LIfe, and Discrimination. These young actors will portray these couples, word for word, for a potent, moving and hilarious theater production.
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12:45pm-1:30pm
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Lunch in Union Square
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1:30pm-2:15pm
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Travel by MUNI to New Conservatory Theatre Company (NCTC)
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Pre-conference Afternoon and Evening Schedule
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2:15pm-3:15pm
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YouthAware Educational Theatre presents three plays celebrating diversity.
Presented by: NCTC's YouthAware Director, Sara Staley
The Other Side of the Closet by Ed Roy
OUTSPOKEN by Prince Gomolvilas
Cootie Shots by Norma and Mark E. Rosenthal
For two decades, NCTC's highly successful YouthAware Educational Theatre Program has produced plays for young people that entertain, illuminate social issues, inspire, and encourage healthier life choices.
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3:30pm-4:30pm
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What Does It Feel Like? Panel Discussion
Participants include Kevin Gogin of the San Francisco Unified School District's Department of Student Support Services. They recently launched a website to support LQBTQQ youth in the district: http://healthiersf.org/LGBTQ/index.cfm
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4:30pm-5:00pm
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Resource Fair and Closing Reception
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5:00pm-7:00pm
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Dinner on your own, and make way back to Hotel
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7:00pm-9:00pm
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Screening of Be Still and Know
Presented by: John Loschmann (Playwright/Director) & Tom Wildman (DVD Producer)
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Sacred Heart Prep Drama Department presented the world premier of Be Still and Know in January 2009. The play was adapted by John Loschmann, Drama Director, from the novel The God Box by Alex Sanchez. The play explores the Bible’s view on Homosexuality and the struggle adolescents have with their sexual identity and their identity as Christians. The DVD was directed and produced by Tom Wildman.
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For more information, contact Pre-Conference coordinator, Emily Klion, Director of Marsh Youth Theater, San Francisco.
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Screening of BE STILL AND KNOW followed by panel discussion with playwright/director |
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Wednesday, August 4 -- 7:00pm-10:00pm
The Sacred Heart Prep Drama Department presented the world premier of BE STILL AND KNOW in January 2009. The play was adapted by John Loschmann, Drama Director, from the novel THE GOD BOX by Alex Sanchez. The play explores the Bible’s view on Homosexuality and the struggle adolescents have with their sexual identity and their identity as Christians. The DVD was directed and produced by Tom Wildman.
The screening is open to all conference participants whether attending the pre-conference workshop on the 4th or not. Tickets are not required.
A panel discussion will follow the screening. |
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Devising Performance: Collaboration, Engagement & Dialog |
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Thursday, August 5 -- 9:00am-12:00pm 10 minimum, 40 maximum -- $50
Michael Rohd has been exploring the intersection of theatre and democracy for years with his company Sojourn Theatre and through his projects with collaborators and universities around the nation. 'Civic theatre' (a term he has begun using to describe some of his own work) aims to bring an adventurous theatricality to a focused interrogation of contemporary issues by offering spaces for civic engagement throughout the process of developing new performance-- it's a porous series of events combining research, participatory activity, and studio (artist-focused) sessions that allow, invite and demand community members and community expertise into the dramaturgy before and after production in a variety of ways. This session will offer a sequence of physical activity, solo to group work, and devising strategies that investigate the relationship between story, site, idea & event. We will examine and play through devising as a process for ensemble-created performance material. |
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Creating Social Theatre the Mime Troupe Way |
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Friday, August 6, 9:00am-12:00pm 10 minimum, 30 maximum -- $35
This workshop will provide hands-on experience with the SF Mime Troupe's trademark style of collaborate "commedia-meets-agitprop" theatre, which can then be implemented within your own theatre education programs. SFMT company members will guide participants through the basic physical training required to play in the larger-than-life style, including a series of games designed to mold participants into an ensemble. This leads to a survey of contemporary archetypes of commedia dell-arte characters, and improvisation exercises designed to elicit dynamic, “whole-body” character development. We will then touch on using these skills to investigate political and social ideas, and turn this entire crazy stew into theatre. The workshop concludes with video highlights from SFMT’s Youth Theatre Project, which engages teens in this same process over an 8-week program that culminates in the creation and performance of their own original, socially-focused plays.
Founded in 1959, the SF Mime Troupe - which does NOT perform silently - is a cantankorous elder statesman of U.S. theatre. Based in the traditions of commedia, melodrama, and broad farce, the SFMT creates FREE musical comedies that both satirize and make sense of the headlines. In their quest to "produce socially relevant theatre and perform it before the broadest possible audience," the Troupe has been jailed, banned, censured . . and picked up a Tony and a few Obies along the way. |
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Devising From Visual Text: The Case of the Mission District Murals |
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Friday, August 6 -- 8:30am-12:00pm 10 minimum, 25 maximum -- $45*
With hundreds of murals, San Francisco’s public art tells a compelling tale of the city’s rich history. After touring selected murals in the Mission District, arguably the capital of SF muralism, participants will return to the workshop space to use these images as starting points for devising original theatre. Through interactive exercises and collective reflection, participants can expect to accumulate a range of devising strategies inspired by visual text.
* Workshop fee includes the cost of the mural tour, as well as transportation to and from the Mission District neighborhood.
A doctoral student in Teacher Education at Stanford University, Lisa Barker has taught acting, improvisation, and devising in a variety of K-12 contexts. In Chicago, she has performed with Barrel of Monkeys and the Neo-Futurists. As Director of Education at Adventure Stage Chicago, she designed and implemented arts-infused curriculum, residencies, and teacher workshops. While managing the Creative Arts Team’s Kaplan Center for Educational Drama, she helped launch the first MA in Applied Theatre in the United States. Her current research centers on the ways in which improvisational theatre training can influence teacher practice.
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The Yugen Approach: Respect for Form & Function On Stage |
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Thursday, August 5 -- 9:00am-12:00pm 5 minimum, 25 maximum -- $45
Led by Company Members of Theatre of Yugen, the internationally recognized San Francisco-based company dedicated to the pursuit of the intangible essence of Yugen: an unearthly, deep, dark, quiet, and profound beauty. This workshop will look at the ancient and on-going Japanese theatre forms of Noh (drama) and Kyogen (comedy), and will explore the many aspects of these forms as vital ways to study and create contemporary theatre.
Founded in 1978, Theatre of Yugen is an experimental ensemble dedicated to the pursuit of the intagible essence called yugen through its exploration of dramatic and literary classics and the crafting of new works of world theater. Our investigation stems from a discipline of Japanese theatrical aesthetics - primarily the classical forms of Noh drama and Kyogen comedy. Through training, creating, presenting, collaborating and performing we aim to foster intercultural understanding and keep theatrical discipline vital.
- Sheila Berotti first trained with Theatre of Yugen in 1998. She learned the role of Master in Busu (Sweet Poison) and was koken for the 1999 production of Sisa in Project Artaud Theater. After some time doing other things (mostly yoga classes and original comedy skits called 'Shandyland'), she reconnected with the Company and resumed her training. She has appeared in Theatre of Yugen’s original adaptations of Futari Bakama (Two in One Hakama), Old Man and the Sea, Don Q, and was a core actor in 2007’s all-day theatre event The Cycle Plays. She played the title role in Candide, or Optimism, and was in the recent Yerba Buena Center for the Arts Commission and Presentation of Dogsbody. A graduate of Bard College, Sheila is a certified yoga instructor and has been a teaching associate of Pretzel's Yoga for over a decade. She brings her experience to the class-room and is most adept at making the often-times austere traditions of Noh and Kyogen fun for young students.
- Ryan is Theatre of Yugen's newest Company Member and a recent graduate of San Francisco State University, where he completed a BA in French and a minor in theatre arts, studying the Suzuki method and Meisner technique with Yukihiro Goto and Barbara Damashek, respectively. It is at SF State where Theatre of Yugen Artistic Director Jubilith Moore first introduced Ryan to Noh and Kyogen. His first production with the Company was the original Kyogen-style Candide, or Optimism and he is currently beginning his training by working through the stock characters of the Kyogen repertoire. Ryan has also been instrumental in the development of new devised works such as Alice, based on the children literature classic Alice in Wonderland. Ryan is a popular and in demand Teaching Artist in Bay Area schools.
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